| 1st year | 2nd year | 3rd year | ||||||||||
| category | area | course | type | hrs | cr | ex | hrs | cr | ex | hrs | cr | ex |
| FUNDAMENTAL | COTP/06 | Solfège | L | 20 | 1 | Q | ||||||
| Music theory | C | 30 | 2 | E | ||||||||
| Ear training | G | 40 | 3 | E | ||||||||
| Semiography of contemporary music | C | 14 | 1 | Q | ||||||||
| CODM/04 | History and historiography of music | C | 45 | 4 | E | 45 | 4 | E | ||||
| CODM/05 | History of electroacoustic and computer music | C | 20 | 3 | E | 20 | 3 | E | ||||
| COME/03 | Music acoustics | C | 10 | 1 | Q | 10 | 1 | E | ||||
| Psychoacoustics | C | 10 | 1 | Q | 10 | 1 | E | |||||
| Auditory perception and listening theory | C | 20 | 2 | E | ||||||||
| COME/04 | Electroacoustics | C | 40 | 6 | E | 40 | 6 | E | 40 | 6 | E | |
| SPECIFIC | CODC/01 | Composition | I | 16 | 8 | Q | 16 | 8 | E | 16 | 8 | E |
| COME/02 | Electroacoustic and computer music composition A | G | 13 | 4 | Q | 13 | 4 | Q | 13 | 4 | Q | |
| Electroacoustic and computer music composition B | I | 17 | 8 | E | 17 | 8 | E | 17 | 8 | E | ||
| Analysis of electroacoustic music | G | 20 | 3 | Q | 20 | 3 | E | |||||
| COME/05 | Music informatics | C | 25 | 2 | E | |||||||
| Audio programming | C | 15 | 2 | Q | 15 | 2 | E | |||||
| Digital signal processing | C | 15 | 2 | Q | 15 | 2 | E | |||||
| COME/01 | Electroacoustic music performance practice | L | 32 | 4 | Q | 32 | 4 | Q | 32 | 4 | Q | |
| Live electronics | G | 20 | 3 | Q | 20 | 3 | E | |||||
| RELATED | COME/06 | Programming and technologies for multimedia | G | 15 | 3 | Q | 25 | 4 | E | |||
| ADDITIONAL | CODL/02 | Foreign language | C | 20 | 2 | Q | 20 | 2 | E | |||
| Internships/stages/artistic activities | 2 | 2 | 2 | |||||||||
| AT CHOICE | 6 | 6 | 6 | |||||||||
| FINAL EXAMINATION | Technical-practical-scientific thesis | 6 | ||||||||||
| 1st year | 2nd year | ||||||||
| category | area | course | type | hrs | cr | ex | hrs | cr | ex |
| FUNDAMENTAL | COTP/06 | Ear training | G | 24 | 3 | Q | |||
| Semiography of music | G | 20 | 3 | E | |||||
| CODM/04 | History and historiography of music | C | 24 | 3 | E | ||||
| CODM/05 | History of electroacoustic music | C | 20 | 3 | E | 20 | 3 | E | |
| COME/03 | Music, media and technology | G | 12 | 2 | Q | ||||
| Room acoustics | C | 18 | 3 | Q | |||||
| COME/04 | Electroacoustics | C | 20 | 3 | E | ||||
| SPECIFIC | COME/01 | Electroacoustic music performance practice | L | 24 | 3 | Q | 32 | 4 | Q |
| Live electronics | G | 12 | 2 | Q | 12 | 2 | Q | ||
| Multimodality and interaction | G | 12 | 2 | Q | 12 | 2 | E | ||
| COME/02 | Electroacoustic composition | I | 30 | 13 | E | ||||
| Computer music composition | I | 30 | 13 | E | |||||
| Analysis of electroacoustic and computer music | C | 20 | 3 | Q | 20 | 3 | E | ||
| CODC/01 | Composition | I | 24 | 4 | E | 24 | 4 | E | |
| RELATED | COME/06 | Programming and technologies for the network and mobile systems | C | 12 | 2 | Q | 12 | 2 | Q |
| COME/05 | Audio programming | G | 20 | 3 | Q | 20 | 3 | Q | |
| COME/04 | History of electroacoustic technology | C | 12 | 2 | Q | ||||
| ADDITIONAL | CODL/02 | Foreign language | C | 18 | 2 | Q | 18 | 2 | Q |
| COCM/01 | Law and show business | C | 20 | 2 | Q | ||||
| Internships/stages/artistic activities | 3 | 3 | |||||||
| AT CHOICE | 6 | 6 | |||||||
| FINAL EXAMINATION | Technical-practical-scientific thesis | 6 | |||||||
