| 1st year | 2nd year | 3rd year | ||||||||||
| category | area | course | type | hrs | cr | ex | hrs | cr | ex | hrs | cr | ex |
| FUNDAMENTAL | COTP/06 | Solfège | L | 20 | 1 | Q | ||||||
| Music theory | C | 40 | 4 | E | ||||||||
| Ear training | C | 40 | 3 | E | ||||||||
| Semiography of contemporary music | C | 24 | 2 | Q | ||||||||
| CODM/04 | History and historiography of music | C | 45 | 4 | E | 45 | 4 | E | ||||
| Music history research methods | C | 30 | 2 | E | ||||||||
| CODI/20 | Organ practice | I | 18 | 4 | E | 18 | 4 | E | ||||
| CODM/07 | Poetry analysis | C | 24 | 2 | E | |||||||
| Literary text and music | C | 24 | 2 | E | ||||||||
| COMI/01 | Vocal chamber music and choir | L | 24 | 2 | Q | 24 | 2 | Q | 24 | 2 | Q | |
| SPECIFIC | CODC/01 | Composition | I | 16 | 10 | E | 16 | 10 | E | 16 | 10 | E |
| Analysis for composition | C | 12 | 2 | Q | 12 | 2 | Q | 12 | 2 | E | ||
| Counterpoint | I | 12 | 5 | E | ||||||||
| Composition techniques | I | 12 | 5 | Q | 12 | 5 | E | |||||
| COTP/02 | Score reading | I | 20 | 6 | Q | 20 | 6 | E | 20 | 6 | E | |
| CODM/03 | Principles of music criticism | C | 35 | 3 | E | |||||||
| RELATED | CODC/01 | Instrumentation and orchestration | L | 10 | 1 | Q | 10 | 1 | Q | 10 | 1 | E |
| COME/01 | Live electronics | L | 20 | 2 | Q | 20 | 2 | Q | 20 | 2 | E | |
| COME/02 | Electroacoustic and computer music composition | I | 12 | 3 | Q | 12 | 3 | Q | 12 | 3 | E | |
| Analysis of electroacoustic music | C | 20 | 3 | Q | ||||||||
| COME/04 | Electroacoustics | C | 12 | 2 | Q | 12 | 2 | E | ||||
| CODM/05 | History of electroacoustic music | C | 12 | 2 | Q | 12 | 2 | E | ||||
| ADDITIONAL | COME/03 | Music acoustics | C | 12 | 2 | E | ||||||
| CODL/02 | Foreign language | C | 20 | 3 | Q | 20 | 3 | E | ||||
| COME/05 | Music informatics | C | 20 | 3 | Q | |||||||
| Internships/stages/artistic activities | 2 | 2 | 2 | |||||||||
| AT CHOICE | 6 | 6 | 6 | |||||||||
| FINAL EXAMINATION | Technical-practical-scientific thesis | 6 | ||||||||||
| 1st year | 2nd year | ||||||||
| category | area | course | type | hrs | cr | ex | hrs | cr | ex |
| FUNDAMENTAL | COTP/06 | Rhythmic practices in contemporary music | G | 20 | 2 | Q | |||
| Semiography of music | G | 20 | 3 | E | |||||
| CODM/07 | Music dramaturgy | C | 24 | 3 | E | ||||
| CODM/04 | History and historiography of music | C | 24 | 3 | E | ||||
| Music history research methods | C | 24 | 3 | Q | |||||
| CODI/20 | Fundamentals of organ registration | I | 18 | 3 | Q | ||||
| COMI/01 | Vocal chamber music and choir | L | 20 | 2 | Q | ||||
| SPECIFIC | CODC/01 | Composition | I | 24 | 10 | E | 24 | 10 | E |
| Forms, systems and languages of music | G | 12 | 3 | Q | |||||
| Instrumentation and orchestration | G | 12 | 3 | Q | 12 | 3 | E | ||
| CODC/02 | Composition for music images | G | 15 | 3 | Q | 15 | 3 | E | |
| COTP/02 | Score reading | I | 15 | 3 | Q | 15 | 3 | E | |
| COME/02 | Electroacoustic composition | I | 20 | 5 | E | ||||
| Computer music composition | I | 18 | 4 | E | |||||
| Analysis of electroacoustic and computer music | G | 12 | 2 | Q | 12 | 2 | Q | ||
| CODM/03 | Philosophy of music | C | 20 | 3 | E | ||||
| COME/01 | Live electronics | G | 15 | 2 | Q | 15 | 2 | Q | |
| RELATED | COME/03 | Music, media and technology | L | 16 | 2 | Q | |||
| COME/04 | Electroacoustics | G | 12 | 2 | Q | ||||
| CODM/05 | History of electroacoustic music | C | 12 | 2 | Q | 12 | 2 | E | |
| ADDITIONAL | CODL/02 | Foreign language | C | 18 | 2 | Q | 18 | 2 | Q |
| COME/05 | Music informatics | L | 24 | 2 | Q | ||||
| COCM/01 | Law and show business | C | 20 | 2 | Q | ||||
| Internships/stages/artistic activities | 3 | 3 | |||||||
| AT CHOICE | 6 | 6 | |||||||
| FINAL EXAMINATION | Technical-practical-scientific thesis | 6 | |||||||
